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Aluguer de Audiovisuais

EFX-500

Pioneer

As the maker of the acclaimed DJM-500 mixer with built-in effects, Pioneer has a history in DJ effects units that predates the Kaoss Pad. Similar in scope and intent to the Roland EF-303, Pioneer’s sleek EFX-500 features a 20-bit sampling rate and a 24-bit DSP engine. Its output section includes stereo RCA and 1/4-inch jack inputs and outputs (I/O), as well as MIDI I/O connections. The device, essentially divided into three tiers, features an Isolator unit, a Beat Effect unit, and a Digital Jog Break unit, which boasts a saucer-sized dial for real-time effect parameter modulation.

To start with, the EFX-500 is extremely well designed. It’s very easy and fun to use right out of the box, and its front panel is laid out logically and without confusion. The Beat Effect unit offers five essential effects: Delay, Echo, Pan, Flanger, and Trans (a clever way of saying slicer, it cuts the signal into rhythmic pieces). For each effect, you can select the note value to which it will synchronize: sixteenth note (1/4), eighth note (1/2), dotted eighth note (3/4), quarter note (1/1), half note (2/1), or whole note (4/1). When feeding in a signal, for example, a drum loop, you first set the tempo, either manually (using the Time/BPM knob), via tap tempo (with the Tap button), or automatically (by setting the BPM to Auto using the BPM Mode button).

The delays and echoes sound very, very good, a bit smoother and richer than standard digital sounds. The pans are fluid and well-defined, the flangers are deep without sacrificing too much top-end crispness, and the Trans effects are highly detailed and adjustable. Exploring the Beat Select options provides a wide variety of rhythmic delays, flangers of varying length and depth, and catchy, rhythmic Trans effects; all of these can be fine-tuned using the Depth knob and the Mix knob to adjust the relative level between the effect and the original dry signal. Just like on the EF-303, you can choose to affect only the lows, mids, or highs; unlike the EF-303, the EFX-500 allows you to explore any combination of the three. The EFX-500 features two On switches for effects, similar to the Grab function on the EF-303: a momentary On switch and a Lock On switch allow you to quickly punch effects in and out or leave them active for a longer duration.

EFX-500